It has been quite some time since anyone saw or heard from Daniel Day-Lewis. After he announcement in 2017 declaring he would cease to pursue acting, just before the release of Phantom Thread, the actor quietly faded from view. However, during his hiatus, his reputation expanded further.
Primarily, this reputation revolves around his favored approach to roles. Being an actor known for disappears into his characters – for instance, during Lincoln, he had the director address him as “Mr. President” for the entire production – audiences has grown increasingly obsessed with how he works. Is it true he really send texts to Sally Field in character as Lincoln? Did he only eat animals he’d killed for Last of the Mohicans? Did he insist on being spoon-fed while filming My Left Foot?
Madness in their method: have we lost interest with over-the-top performances?
Currently, Day-Lewis is back in the limelight, with some hesitation, for his new film Anemone. And he is taking this chance to vocalise his anger regarding how method acting is viewed. “I’m a little cross these days when I hear various individuals gobbling off and saying things like ‘gone full method’, which I think is meant to imply that someone is acting insane in an extreme fashion,” he told a major publication. “People often concentrate on superficial details of the work, and these elements typically include some form of self-flagellation or a situation that imposes upon oneself extreme unease or psychological strain. However, in the career for a performer, it must mainly focus on the internal work.”
To be honest, this sounds like the actor has emerged from his retreat only to discover shocked by the acting community that has been created in his image. If you’re widely considered one of the greatest performers to ever work, and your process involves striking a prop to the point of injury (in Gangs of New York) or spending 48 hours in isolation deprived of sustenance (during In the Name of the Father), it’s natural that fellow performers will attempt to fill that vacuum by imitating your hero.
In other words, we now live in an environment populated by half-cocked Day-Lewis impersonators who strive only to demonstrate the sheer amount of dedication they put into a character. On the milder side of the pool there are performers such as Lady Gaga, who was so desperate to win an Oscar for House of Gucci that she dedicated the whole campaign attempting to persuade people that she became an Italian native for a year and a half in preparation.
Additionally, there is Jared Leto, who decided to deeply embed himself in the character as the Joker (in Suicide Squad) by sending “horrifying” gifts to fellow cast members. These, according to various accounts, range from deceased animals to intimate objects and personal hygiene products, although Leto denied the most extreme claims. Then, of course, there is Jim Carrey, who immersed himself so fully into Andy Kaufman during Man on the Moon that they succeeded in creating a feature-length documentary out of B-roll of him making life as impossible as he could for his colleagues.
The foremost Method Guy at the moment would appear to be Jeremy Strong (formerly Day-Lewis’s assistant), whose approach while filming Succession was so rigorously detailed that it became the subject of a critical New Yorker profile, including statements from individuals who were either concerned about his conduct (“It’s the cost to himself that worries me,” said Brian Cox) or annoyed beyond all measure by it (“I recall him causing everyone else roll their eyes,” said an unnamed co-star).
Daniel Day-Lewis claims he ‘did not plan to retire, really’
There are numerous additional cases. Andrew Garfield went celibate for six months for Silence. Leonardo DiCaprio rested inside a dead animal during The Revenant. There’s a fighting chance that actor Austin Butler continues to talk like Elvis Presley, three years after that film came out. Each of these instances, to some extent, is meant to invoke the seriousness in which Day-Lewis approaches his craft.
And, although his rebuttal against method detractors could be commendable, a short publicity tour might not be enough to change anyone’s mind, not to mention their practices. Maybe if he wishes to remind people the true essence of the Method, or to demonstrate its potential results, then Day-Lewis’s best bet is to just start making additional movies. Surely everyone would get behind that.
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